MITO Settembre Musica - Torino Milano - Festival Internazionale della Musica



Tuesday
September 16

Print this page


  • Milano
  • 16 september
  • tuesday

Biblioteca Comunale
Centrale
Cortile di Palazzo Sormani
1 p.m.

Break in Classica

Music by
Franz Tischhauser
Astor Piazzolla
Kurt Weill
Vincenzo Monti
Pedro Iturralde
Dave Brubeck
Mike Curtis

Quartetto AFEA
Edoardo Lega, Arturo Garra,
Adriano Sangineto, clarinet
Francesca Gelfi, clarinet and basset-horn

Quartetto AFEAQuartetto AFEA

In collaboration with
Biblioteca Comunale Centrale

For the 200th anniversary of
Conservatorio di Musica "G. Verdi", Milano

  • Milano
  • 16 september
  • tuesday

Basilica di San Lorenzo
Maggiore

4 p.m.

Subterranean Mines of Love, or:
between Eros and Thanatos Orpheus

Introduction by Quirino Principe

Libido, Eros, Agape. Within the sphere of Archetypes, three symbolic forms, perhaps three “true” hidden gods,
whose likenesses have never been revealed.
Within the sphere of language, three ideas which are difficult to transform into concepts. It is possible to translate them into vibrations.
Thus, music - the science of making materials and energy vibrate in order to generate sounds, is the art that boasts the most exclusive rights of representation over the three above-cited degrees of what we call LOVE.
The 15th and 16th centuries have come to be, over the illusory course of time, the era which most transparently sees the ancient archetypes meld with the modern age, and which understood that the nobility of Agape contains traces of Eros, and that Eros contains  traces of Libido - sailing along “the bitter sea of love.”

5 p.m.

Désir d’aymer
Love songs
Of the 1500s
From Flanders to Italy

LOVE’S PLEASURE
Music by
Vincenzo Capirola
Josquin Desprez
Alexander Agricola
Heinrich Isaac
Hayne van Ghizeghem
Johannes Martini
Alexander Agricola

LOVE’S DESIRE
Music by
Joan Ambrosio Dalza
Loyset Compère
Jean Mouton
Jacob Obrecht

LOVE’S SORROW
Music by
Vincenzo Capirola
Hayne van Ghiseghem
Alexander Agricola
Francesco Spinacino
Josquin Desprez
Joan Ambrosio Dalza

Capilla Flamenca
Marnix de Cat, countertenor
Tore Denys, tenor
Lieven Termont, baritone
Dirk Snellings, bass and orchestration
Liam Fennelly, Thomas Baeté,
Piet Stryckers, viola da gamba
Wim Maeseele, lute
Patrick Denecker, flute

Free Admission

Capilla FlamencaCapilla Flamenca

  • Milano
  • 16 september
  • tuesday

Teatro degli Arcimboldi
9  p.m.

Sergej Prokof’ev
Symphony no. 3
in C minor op. 44
Concert no. 2
in G minor for violin and orchestra
 op. 63
Symphony no. 4
in C major op. 112
(revision of op. 47, 1947)

London Symphony Orchestra
Valerij Gergiev, conductor
Vadim Repin, violin

Assigned Seating € 15, € 30 and € 40
MITO discount € 12, € 24 and € 32 buy

Valerij Gergiev (ph. A. Venzago)Valerij Gergiev
(ph. A. Venzago)

  • Milano
  • 16 september
  • tuesday

Teatro Franco Parenti
9  p.m.

Luca Francesconi
Gesualdo considered as a Murderer
Italian Premiere

Divertimento Ensemble
Sandro Gorli, conductor
Alda Caiello, soprano
Leonardo De Lisi, tenor
Maurizio Leoni, baritone

Ensemble Vox 'Altera
Massimiliano Pascucci, countertenor
Niccolò Pasello,
Daniele Maniscalchi, tenor
Matteo Bellotto, baritone

Francesco Micheli, director
Matteo Martini, set design
Lubna Balazova, costumes
Marcello Jazzetti, lights

Andrée Ruth Shammah, artistic director

Authors
Luca Francesconi
Vittorio Sermonti
will be in attendance

The pleasure of seeing the on-stage birth of the intense and true story of a small monster which hides the musical creativity of Gesualdo da Venosa, according to Luca Francesconi.
Andrée Ruth Shammah

Assigned Seating € 10 buy

Luca Francesconi (ph. Fermariello)Luca Francesconi
(ph. Fermariello)

Co-produced by
Teatro Franco Parenti

In collaboration with
Divertimento Ensemble


  • Torino
  • 16 september
  • tuesday

Piccolo Regio
Giacomo Puccini
3:30 p.m.

Presentation of the book
Olivier Messiaen
by Peter Hill
Edizioni Il Saggiatore

Discussion featuring the author,
Pietro Mussino, Enzo Restagno

5 p.m.

Olivier Messiaen
La colombe
Morceau de lecture à vue
Pièce pour le tombeau
de Paul Dukas
Le merle bleu
Le traquet stapazin
Cantéyodjayâ
Le courlis cendré
L’alouette lulu

Peter Hill, piano

Free Admission

Peter HillPeter Hill

  • Torino
  • 16 september
  • tuesday

Museo Diffuso
5:30  p.m.

Inauguration of the audiovisual exhibition
Igor Stravinsky
A 20th-century Master

Curated by
Roberto Andreoni
Luca Ferrando
Andrea Milanesi
Walter Muto

Promoted by
Centro Culturale
Pier Giorgio Frassati
Associazione Franz Schubert

For Further Information:
tel. 011.4361433
www.museodiffusotorino.it
www.centrofrassati.it

Free Admission

Igor StravinskyIgor Stravinsky

In collaboration with
Museo Diffuso della Resistenza,
della Deportazione, della Guerra,
dei Diritti e della Libertà

  • Torino
  • 16 september
  • tuesday

Conservatorio
Giuseppe Verdi
9  p.m.

The Apocalypse of St. John
and the New Apocalypses

Discussion by Enzo Bianchi

Olivier Messiaen
Quatuor pour la fin du temps,
for clarinet, violin, cello and piano

Gabriele Mirabassi, clarinet
Marco Rizzi, violin
Mario Brunello, cello
Andrea Lucchesini, piano

Free Admission

Andrea LucchesiniAndrea Lucchesini

In collaboration with
Torino Spiritualità

  • Torino
  • 16 september
  • tuesday

Teatro Alfieri
9  p.m.

Goran Bregovic
Pardon me, is this the way to the future?
Three Letters to Three Prophets

Goran Bregovic Wedding and Funeral Ensemble
Gypsy Brass Band
Male vocal sextet
Goran Bregovic, guitar and vocals
Alen Ademovic, percussion and vocals

Kristjan Järvi’s
Absolute Ensemble
Kristjan Järvi, conductor

Two ensembles, one inspired by the Balkan tradition, the other by contemporary music, meet on the same track at a train station.
Is there a language that can help me come to terms with the modern world as represented by the Absolute Ensemble? If we imagine that I represent a culture left behind compared to civilized Europe, and that the Absolute Ensemble represents contemporariness, then our dialogue would be an imaginary encounter, an encounter between two opposites that otherwise would not meet and speak with one another so easily.
But they can do this through the common language of music. This work consists of three movements in the form of letters to three Prophets, based on a dialogue which ranges from "clash" to "reconciliation".
The country I come from has a terrible and tragic history, where for centuries three religions - Catholicism, Orthodox Christianity, and Islam - have fought one another.
I want to believe that writing musical letters to three Prophets will not be perceived as a disrespectful act.
Goran Bregovic

Assigned Seating € 15 and € 25 buy

Goran BregovicGoran Bregovic

Kristjan Järvi (ph. P. Antonov)Kristjan Järvi
(ph. P. Antonov)

In collaboration with
Torino Spiritualità

  • Torino
  • 16 september
  • tuesday

Jazz Club Torino
10 p.m.

Barbara Raimondi, vocals
Luigi Bonafede, piano
Alessandro Maiorino, bass
Enzo Birilli, drums

A concert combining Afro-American tradition and Mediterranean Latinness, fruit of the collaboration between singer Barbara Raimondi and pianist
Luigi Bonafede.

Free Admission

Barbara RaimondiBarbara Raimondi

In collaboration with
Centro di Formazione Musicale della Città di Torino
Jazz Club Torino