Walk along the streets and stop in the
squares of Borgo Nuovo: a route for meeting
Muses and compose the trio that will
make the history of literature, or to find the
idea that will change humanity's destiny...
but also a stroll to answer more ordinary
questions like "Should I or shouldn't I buy
a new car?!", or "Should I leave Gianluigi
for Carlo Maria?"...
What to bring:
What to leave home:
Via Maria Vittoria, via dei Mille, via San
Francesco da Paola...
roads that naturally
lead you along them and... walking
helps reflections; thus let yourself follow
these straight streets and let the route
guide your thoughts too, it'll help to...
straighten them out!
The tall buildings that line the streets stop
ideas from getting dispersed or deviated
and help define them.
The roads are long,
walk along the full length... to reach the
bottom of issues. Along the way you'll
meet piazza Carlina, piazza Maria Teresa,
or piazza Bodoni... they'll welcome
you in an embrace and make you want to
stop and let yourself go...
So take a break, stop walking and thinking: sit on a bench and let your ideas settle, crystallise the results of your reflections. The light in these squares makes them the perfect place for seeing things more clearly, or even to receive... enlightenment!
If you don't find the answer to your Hamlet- like doubt don't give up, keep walking. It's practically certain that you're in the right place, just think of the many great personalities who've walked around here: D'Azeglio, Gramsci... The plates reminding you of their presence around the neighbourhood guarantee that this area really... inspires!
Along Borgo Nuovo streets and squares inspiration is in the air: indeed, this neighbourhood has been chosen by many artists for their studios and workshops.
Within the aristocratic and fascinating Palazzo Coardi di Carpeneto the Cooperativa Arti Visive '78 (Visual Arts Cooperative '78) has its studios. This space used to be an ebony carver's workshop and, where today paintings are exhibited, there are still some tables the artisan worked on. Along the walls, round windows overlook - on one side - the intimate and suggestive courtyard, on the other piazza Carlina, the heart of Borgo Nuovo and its inspiring atmosphere.
It is through these portholes that the quarter's light, voices and smells penetrate the studio and, somehow, participate in the artists' work. What is inspiration for them? And what is it Borgo Nuovo that inspires them?
For painter Franz Clemente the visions
from the round windows are a source of
inspiration or, as the artist defines it, "an
impulse for working" with colours and
paintbrushes.
So,many of Clemente's watercolours
represent the views from the
studio's portholes. The artist, actually,
likes "spying" from this privileged viewpoint
the life animating piazza Carlina;
with a click of his camera he steals a
snapshot of the infinite tales crossing this
space and later reprocesses it with his
watercolours, fragments of stories to be
reconstructed.
What ties Clemente's work to the neighbourhood,
above all, are these private stories,
witnessed by the quarter itself.
The painter, in a series of pieces, has examined
another characteristic element of
the area: the portals, which he sees as
"diaphragms between public and private".
Portals have their narrative suggestion:
they evoke the stories hidden
behind them.
While for Clemente the link between his
works and the neighbourhood are the stories,
for painter Marco Seveso the link is
history.
Seveso is attracted to and inspired
by history's traces, those tangible
signs that, like wrinkles on a face, characterise
Borgo Nuovo's appearance.
Plates, monuments and buildings, have
styles that collocate them within identifiable
periods and represent a past constantly
in relation to the present, which
moves all around him.
The signs of history
in the neighbourhood suggest reflections
to the painter - for Seveso inspiration is
"converging thoughts that have matured
an idea for a long time"- on change,
on the difficult relation between past and
present and on the deriving social problems.
This special relation between the artist
and the place in which he's chosen to
work emerges clearly in the pencil drawing"
Anatomia Urbana - piazza Carlina".
Here the monument's base is the background,
while the people and cars that are
moving, tend to be part of it.
The poet and literary critic Giorgio Luzzi often spends time with his painter friends,
sharing their work and inspirational space
to make poetry and figurative art meet
according to the tradition of Parisian ateliers.
Indeed Luzzi feels rooted within this
neighbourhood especially because of the
Parisian echoes you can breathe here,
and he especially loves piazza Bodoni,
which he describes as the most Parisian
of Turin's squares.
The poet says piazza Carlina is an "umbilical"
place, with which to engage in "primary
relations", because in this neuralgic
Borgo Nuovo spot everything converges,
all times and the whole of history.
From the studio's window he indicates the
Santa Croce dome, the Annunziata and
Cappuccini bell tower, standing along
the same perspective line.
For Luzzi these
aligned architectural elements, joined by
an aesthetics recalling past times, constitute
the metaphor of a lasting axis.
For the poet this and other visions of the
neighbourhood establish direct contact
with history and bring back an idea that
today tends to be hidden: that of the subject's
duration. Luzzi describes the inspiration
radiating from the area as "the
impulse imposing itself against the
crushing of the eternal present".
Città di Torino, Settore Politiche Giovanili, Redazione Web Informagiovani
via delle Orfane 20, 10122 Torino Italia
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